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complete_list compositor animator photography
 
 

The following is a short list and description of my most recent/notable compositing projects.
Some projects had specific animation needs and the descriptions are on that page.
Where applicable, click on the picture to see a clip.

Project -
Histoire
Client -
CA Square
Programs Used -
Maya, After Effects

What I did -
Designed and created at CA Square,
particles were generated in Maya using scripts and
expressions, and comped in AE. Of the 16 spots, 10
were completely different particle animations.

Project -
Ford Fusion - "We Speak"
Client -
Ford
Programs Used -
After Effects

What I did -
Roto and clean-up on about 2 dozen
shots for 3 different spots over only a few days. The
camera, camera car and trackers were refecting on
the car, which needed to be painted out. Then it was
passed off to final comp.
Project -
Schoolhouse Rock! : Earth
Client -
Disney
Programs Used -
Animo

What I did -
I was responsible for all ink & paint,
composite and render for 8 of the 11 three min shorts
for the "Earth Rock" DVD.
Project -
Aliens in the Attic
Client -
20th Century Fox
Programs Used -
Shake

What I did -
Done at CIS Vancouver, wires and rigs
were removed for multiple shots. In this shot, a clean
plate had to be created and the main characters
sleeve and shirt were replaced. Also comped a 3D
matchmoved floor that was supplied.
Project -
RHI Movie Weekend
Client -
RHI
Programs Used -
After Effects, Maya

What I did -
Made at CA Square, this was a branding
of the RHI Movie Weekend on the ION channel as
well as end tags for their movies. I comped and
animated the whole package and eventually created
and helped design the end tags and western ID.
Project -
Game Show Network
Client -
Game Show Network
Programs Used -
After Effects

What I did -
Made at CA Square, this was a
rebranding of the GSN network. I composited all the
CG and live action elements, in five different color
styles. In order to match the CG, the live action had to
undergo major color correction.
Project -
VH1: Take a Break
Client -
Viacom
Programs Used -
After Effects

What I did -
Made at CA Square. After
storyboards were given to me, I was responsible for
finding a way to animate and comp this project on a
very quick turnaround.
Project -
Orion Slave Girls Must Die!!!
Client -
Eric Kallevig
Programs Used -
After Effects, 3DS Max

What I did -
For this short film, I was the lead
compositor. The bulk of what I handled was the entire
opening sequence, 42 shots, including creating the
3D animation and wire removal over sand.
Project -
V-me
Client -
V-me
Programs Used -
After Effects

What I did -
Made at CA Square for a new latino
network. There were 3 design styles and while I did
the final comps and color timing on all of them, I was
also resposible for completely creating the “kids”
style, shown here, from animation to completion.
Project -
Beautifly Smart
Client -
Avenue A | Razorfish
Programs Used -
After Effects

What I did -
Made at CA Square, this was made for
the clients conference. I had to comp all the words
into the shots, each with a different look and style. I
also color corrected and grain removed a few others.
The animations were mostly based on my ideas.
Project -
Zombie Prom
Client -
Illusions of Grandeur FX
Programs Used -
After Effects

What I did -
For this short film, I handled the bulk of
the vfx comps - over 3 dozen shots. The Motorcycle
was animated using a static image. This was the
original expectation of the comp. I then added the
god rays and smoke to spice it up.
Project -
Promos and Navigation Menus
Client -
Disney Channel UK
Programs Used -
After Effects

What I did -
Designed at CA Square, I created and
animated the BG's for 11 different navigations, while
also handling the final comp. Each navigation had
up to 6 different menus and 2 different colors,
totaling more than 100 outputs.
Project -
VH1: On Demand
Client -
Viacom
Programs Used -
After Effects

What I did -
Made completly in After Effects at CA
Square, I had rigged the 30 different icon squares
using code so I could animate them easier. I then
multiplied them many times over totaling more than
700 comps. Created with 2 sets of colors and
multiple titles.
Project -
The Venture Bros
Client -
Cartoon Network
Programs Used -
Animo

What I did -
I handled all of the local scene
corrections (the show was animated in Korea).
Knowing how to animate really helped the
composites. The result, as it was said, was
"night and day".
Project -
Animated Alias: Tribunal
Client -
ABC
Programs Used -
Animo, After Effects


What I did -
For the season 3 DVD set of "Alias", I
helped comp this stylized animation with painted
BG’s, treated video footage and 3D. In the "dance
sequence", I keyed out the live action people and
did the final composite in After Effects.
Project -
My Big Fat Independent Movie
Client -
Illusions of Grandeur FX
Programs Used -
After Effects, Maya

What I did -
For one of the shots in this independent
film, supplied with only 14 frames, I expanded it to 87
using a loop and roto. Using elements both supplied
and that I made with Maya, I comped this in After
Effects.
Project -
Nascar: Timeless
Client -
The Martin Agency
Programs Used -
After Effects

What I did -
Made at R!OT Manhattan, I rotoed
footage from various time periods and video/film
stocks. Using After Effects, I supplied mattes for the
final comp in the Flame. Several shots were rotoed
in 15 min.
Project -
Duplex
Client -
Miramax
Programs Used -
Animo, After Effects

What I did -
At Noodlesoup Productions, I was the
Digital Supervisor on this UPA style animated
opening. One of my better skills was being able to
count frames at 4 AM. Really one long shot, all the
scenes needed to line up perfectly. This 2 min piece
was created in 2 weeks.
Project -
The LIzzie McGuire Movie
Client -
Disney
Programs Used -
Animo, After Effects

What I did -
Made at Tapehouse Toons, as Digital
Supervisor, I created all color models, comped all
animated scenes first using using Animo, then After
Effects where I added drop shadows, reflections and
color correct on a live action BG.
Project -
Schoolhouse Rock!
Client -
Disney
Programs Used -
Animo

What I did -
Scanned, colored and comped the new
short for the DVD. Since the rest of the studio was
busy, the whole short was done by me (daunting task). I put together all the DVD menu elements, as
well.
Project -
Beaker
Client -
Personal project
Programs Used -
3DS Max, After Effects

What I did -
A study in reflection, refraction and
multiple element composite. 100 percent CG, this
was created in 3DS Max 2.5 and comped in After
Effects.
Project -
SNL - TV Funhouse
Client -
NBC
Programs Used -
Animo

What I did -
I scanned, created all color models,
painted and composited on all the Saturday Night
Live / Robert Smigel cartoons that Tapehouse
Toons did. This was how I got my feet wet. From
scanning to comping to running a project. It started
here.
Project -
Howard Stern Radio Show
Client -
CBS
Programs Used -
Animo, 3DS Max, After Effects

What I did -
For the opening, I painted the BG,
modeled and animated the 3D elements, then finally
comped it all together with 2D animation. I also
worked on the comps of several other shorts made
for the show.
 
 
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